Photography School Reviews

“Any good photography is a successful synthesis of technique and art.” – Andreas Feininger

This article will attempt to help you come to a clearer understanding of the photography schools and colleges available, what they can offer you in terms of photo and arts education, and guide you towards investigating more about specific schools and where you can find out more information.

Photography SchoolsPhotography is a wonderful choice when it comes to a career. Photography is a versatile path that allows you to specify within the degree, and move from different types of photography within your lifetime. From magazine covers to exotic locations to local newspapers, a career in photography will allow you to pick and choose exactly what you want to photograph. However, a career in photography doesn’t happen with well wishes and hopes…you have to work to get there! So where do you begin in your search for photography schools? Right here!

You’ll have to learn about the photography business, learn how to deal with copyright issues and information, manage your photo porfolio and how to work with others in the field. There are many courses in the field of photography taught at many of the schools, teaching you in a variety of areas including:

* Photographic equipment

* Photographic processes

* Photograph techniques

* Color theory

* Special skills

* Digital imaging and photo processing

There are many many more fields available when it comes to your career path in photography, the above were simply some examples.

If you’re passionate about photography and want to pursue this versatile career, it’s important that you take the time to learn from experienced professionals that can guide you in your efforts to pursue professional photography, motion picture and video photography, visual journalism, and thinks like visual communications. What’s great about attending photography schools nationwide is that you dont’ have to begin an expert, you begin a beginner! Many of you are pursuing this field because you have a natural eye for photography, and that’s great – but maybe you’re just developing one. That’s great too! What you probably didn’t know is that photography school will teach you much more than simply how to snap a few brief pictures and dip em in developer. They teach you the scientific processes of film, chemistry, optics, color theory, lighting rations, and digital and computer skills.

You’ll also find colleagues and students at your school that share your passion, talents, and skill and want to join in mutual efforts to further your careers. Here are a few photography school frequently asked questions that might help you!

* What is the objective of many photography schools?

* What types of photography might I choose to go into?

* What type of school should I look for?

* What are some of the top schools in the US?

What is the objective of many photography schools?

The objective (or the objective I believe is crucial to selecting a school) of many is to develop photographers that are technically and professionally sound, enabling them to pursue any photographic field and compete in the job marketplace.

What types of photography might I choose to go into?

There are many different types of photography fields, including fasion photography, digital photography, advertising photography, editorial photography, documentary style, wedding photography, portrait photography, or photo technician style work. You’ll be prepared to do any of these with a solid education at a photo college or school.

What type of school should I look for?

My recommendation is a school that teaches nothing but photography! Obviously affordability is important, but a photo only institute is a great way to go!

What are some of the top schools in the US?

There are several wonderful photography schools, but some of ones we’ll choose to highlight are Brooks Institute of Photography and the Art Institute of Colorado. For a more detailed list of Photography schools and information, please click here or continue browsing this article.

Brooks is a world leader when it comes to visual arts and photographic education. You’ll want to find a photography school that helps to meet career oriented needs that you establish before you search. You’ll want one with experience in the field for a long period of time, not just a hokey internet college.

You want want that can offer you a chance to broaden your resume through internships and opportunities. The joy of this career is that you get to turn your photographic ambition into something that pays the bills and you love to do every single day! Who wouldn’t want that! I hope this article has proved even a little helpful, and that you’ll consider going into the wonderful field of photography!

Do Business Degrees In Photography Work?

Most photography schools offer business degrees in photography but many photographers wonder whether such a course is useful or not. Photography is not just a form of art but it is a science and business at the same time. To become a successful photographer, you need to know the creative and scientific aspects of photography so that you can create wonderful photographs. However, you also need good business knowledge to sell these photographs. If you have noticed, most of the masterpiece photographs were never sold!

In photography interviews and many discussion forums, you can see many people claiming that photography is a passion for them but this passion is not enough to generate sales. Many photographers fail because they can’t distinguish their passion for photography and the need to sell those pictures.

As an amateur photographer, you probably shoot almost every subject but for professional photography this idea will not work out. You need to choose your niche because the customers come to photographers who cater some of the most specific subjects. A good photography course will help you to choose the right niche and market yourself in that niche.

For a good business photography degree, marketing techniques are the major part of its curriculum.

Market Research- Market research is something that you learn in a photography business degree. You will research and find out the niches that are currently on demand. For different photography niches, different level of investment and time is required. With market research, you can choose a niche that suits you the best.

Presentation- Stock photography and wedding photography are two famous niches in professional photography. However, the marketing and sales procedure for both is completely different. It is very hard for a stock photographer to succeed in wedding photography with the marketing techniques that he/she uses for stock.

In wedding photography, clicking photographs are just a part of the job but everything from your costumes to the presentation (photo albums) are very important. For stock photography, your personality and presentation has nothing to do with selling photographs but other elements such as key wording and various licenses do.

Marketing- Marketing tools in photography business have changed a lot in the last decade. A personal website, social media profile and a blog ensures your presence on internet. However, it is imperative to learn how to market yourself through these new media platforms. Traditional marketing tools such as business cards and gifts also work well. A good course will teach you how to use these techniques for your success.

There is no doubt that a professional photography business degree from any of the well-known photography schools can be the best resource for any photographer’s marketing success. A successful photographer should not only learn to click masterpiece pictures but also how to sell them. With the right marketing techniques, photography is one of the safest career that someone can opt and the creative side of it is fascinating.

Don’t Allow Film Photography to Fade Away

Photography is embedded in our lives, from birth to death, and at every stage in between. Even those of us with little interest in photography have most probably carried photographs in our wallets, and hung them on our walls or placed them on a work desk, and personally snapped a few shots. Since the advent of digital photography, we have been taking more photos, and using them for an increased range of activities, especially the wider sharing of images with others. Today, photographs are so common that they can almost escape our notice.

Photography first entered the lives of the general public in 1888, when George Eastman invented and marketed his original Kodak camera. It was a very simple box that came pre-loaded with a 100-exposure roll of film. Once used, the whole camera was sent back to Kodak, where it was reloaded and returned to the customer, while the first roll of film underwent processing.

The simplicity of the camera and film processing made photography accessible to millions of casual amateurs who had no professional training, technical expertise, or aesthetic ability. Eastman’s marketing campaign deliberately featured women and children operating his camera, along with the slogan, “you press the button; we do the rest.”

Snapshot photography became a national craze within a few years, and by 1898, it is estimated that more than 1.5 million roll-film cameras had passed through the hands of amateur users.

Early snapshots were made for purely personal reasons. Typical subjects included important events such as weddings and other less formal family gatherings, holidays and leisure activities, and to capture the transitory appearance of children, pets, and prized possessions such as cars and houses. Images were reproduced as small prints, and a member of the family often arranged the photographs as narrative sequences in albums.

In the early part of the twentieth century, serious amateur photographers started to promote photography as a fine art where – unlike snapshot photography – the photographer demonstrated aesthetic sensibility and technical expertise. This goal was successfully attained, and photography became elevated to an art form.

It didn’t take long for the tide to turn (as it always does), and certainly by the 1950s, the qualities of the snapshot started to become adopted by professional photographers for their honesty, energy, and spontaneity. Grainy, blurred, tilted horizons, erratic framing, and black and white all became an acceptable route to capturing the moment. By the late 1990s, the snapshot finally achieved the status of modern folk art.

These two broad schools of photography produce a dichotomy in camera design and development. For the snap-shooters, cameras remained little changed (technically) from the original, while serious photographers opted for more complex tools that offered far greater precision.

From the mid 1970s, electronics started to take a grip on camera design, and this made improved photographic performance available to the casual photographer, without the need for technical knowledge. However, the biggest step-change emerged and began to dominate around the millennium: the digital camera.

Digital photography was revolutionary because it eliminated the costs and delays inherent with film cameras. It also expanded the options for viewing, editing and sharing pictures, and accordingly the range of uses to which they could be put. Other developments such as the increased ownership of personal computers, and growth of the Internet both supported the benefits and expansion of digital photography.

Today, camera phones are the major photographic device, and social media the foremost manner in which our snap-shots are put to use. While most photography, as in its early days, is largely a point-and-shoot capture of our daily lives, the underlying social behaviours have altered significantly.

For at least the first hundred years of photography, the family was at the heart of our activities. Cameras were usually owned by families, and used to the benefit of that family. While all members may have been participants in the capture of a photograph, one particular person was usually the custodian of the family album. The cost of photography made every shot valuable, and the duds that never made the pages of the family album were still retained.

By contrast, today individuals own cameras, and almost everyone under a certain age has one. Our social circles have changed: we tend to have a far larger pool of more casual acquaintances, and fragmented families. The zero cost of photography means high numbers of shot are taken, but the ease of deletion makes the permanence of images more ethereal.

It is these changes that bring me to the point of this article; to voice the concern that we are creating a historical void where information and details about an era risk being lost. I personally have gaps in the pictorial record of my life that start from the time I too turned to digital photography. Of course I could print my photos, to make them more tangible, and put them in an album, but I don’t: it’s not part of the digital ethos to recreate the limitations that contributed to the demise of film.

Equally, the increased automation of camera technology and accessibility of image manipulation conspire to erode the need for technical expertise, and aesthetic sensibility (at the moment of exposure) that underpinned photography as an art form. Indeed, the only significant recent resurgence in aesthetic film photography – Lomography – champions the abandonment of forethought, rules and knowledge.

I am not advocating that film photography should be fine art: the snap shot is as worthy an approach as it ever was. Neither am I trying to assert that digital photography does not demand skill, nor its images qualify as an art form. My concerned is that yet another skill – photography using unforgiving film – will become lost in a world where we increasingly rely on technology to do our thinking for us. The situation is little different to saying that just because we have calculators, we should forget how to do mental arithmetic. Equally, the craft of compiling a narrative photo album is at risk of loss, in favour of viewing a jumble of images on the tiny screen of a mobile phone, which travels with us in a world where it is continually exposed to the hazards of damage and theft.

In summary, the key difference between digital and film photography is that the former often ends with a click, while the latter merely begins with the clunk of a shutter. If you are on the cusp of a decision to explore or return to film photography, my advice is take the plunge and give it a go. Film photography is an engaging hobby, even if it’s only snapshot style. Its images are more enduring, and have an increased likelihood of surviving the passage of years. When all said and done, photography is merely a process for freezing time, and capturing memories so they can be recalled and enjoyed over and over again, throughout our whole lives.